This example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read MoreThis example is also important for close study for principle characteristics of timba basslines. It is both very syncopated for a 2-3 line, yet still remains true to the clave due to two important accents.
Read More