Timba Bass Lesson 6: 2-3 Tumbaos Example 5
Our final example of 2-3 Timba tumbaos, uses similar rhythms to Example 4 but implements other melodic ideas to create a very different sounding line. Once again, beat three is always accounted for on both 2 sides of the phrase and the three note melody from Example 1 is used over the D chord in bar 2. In addition, be sure to take note of the B diminished triad over the F chord in measure 3, substituting a Bm7b5 and creating a ii7b5-V7 progression in the second half of the bassline.
As always, this blog entry is not meant to be a complete tutorial, just a brief demonstration of a general concept. If any of these terms are unfamiliar to you, be sure to check out my books, The John Benitez Method Vol 1 and Vol 2. I also highly recommend any of Kevin Moore’s Beyond Salsa Bass Series. If you’re interested in learning more, comment below or contact me directly if you have any questions or are interested in private lessons either online or in person. Happy practicing and see you on the next one!